The members of the Brussels Writers’ Circle are a varied bunch. Prose writers, poets, playwrights, memoirists, screenwriters, we sweep in from all different occupations and locations twice a week to share our work with one another.
In ‘Meet the Circle’, we introduce you to some of our members, hopefully providing an insight into who we are, what we do and what we think about Greco-Roman wrestling. Well, maybe not that last bit.
This week we will hear from Barbara Mariani, our Thursday evening sessions’ co-chair. Barbara is Italian but a happy resident outside her own country. Brussels has brought her back to her university literary interests, which she left aside too long to dedicate herself to what she thought was a more promising profession in environmental policies and public affairs. She is an enthusiast reader of literary fiction, the only fiction she is really passionate about, and has decided to write her first novel in English.
When did you join the group?
In 2014, as I was looking for a writing course.
What were your first impressions of the group?
My impressions were so great that I never stopped going to the weekly meetings since then. What captured me was the mix of informal atmosphere of the gatherings and genuine talent and generosity of spirit of many of the members, some of whom unfortunately have left the Circle as they have headed back to their own countries. Since the first meeting I attended I have felt a sort of sense of “belonging” to the Circle. For me it has been like finding an escape from everyday work routine to a territory where I could switch off and become absorbed in artistic creation with people who share the same passion, even though we come from diverse cultures and are all very different.
What are you currently working on?
I’m working on a novel which I have started a couple of years ago, evolving from a short story. It’s set in our times and tells the story of a young woman, Caterina Del Canto, whom life has put in front of many unexpected reversals of fortune which have taken away from her origins but also, projected her into unknown worlds. It’s a story about the recklessness and sense of uncontrolled speed, the confusion and profound loneliness that characterises our age.
What are your biggest literary influences ? How have they influenced you?
There are so many. I’m a passionate reader of classics and those who have influenced me most are Tolstoj, Proust, Mann, Miller, Hemingway, Flaubert, Maugham, Marquez, Nabokov, Fitzgerald. But I have also found inspiration in many writers of the late 20th century, such as R. Carver, P. Auster, M. Richler, D.F Wallace, J. Irving. I think that these writers have in common the capacity to write in a way that the experience in front of our eyes is really authentic (even though it may be all invented… but that’s the real talent!), something we can connect to emotionally, and at the same time so special in the way they are telling it. It’s the perfect mix between the universal and the particular that make these books unique. They are all style masters, they have found the right “voice”, so difficult to find for a writer, that makes their books stand out in a special place in people’s souls. Finally, each time I re-read them is a new experience. They really are like precious Chinese boxes.
Do you have a memorable moment from the BWC that you could share?
I have some beautiful memories from the BWC annual retreats in Tremelo. I felt like we were a big family and that those winter evenings spent in front of the fireplace playing ice-breaking games or talking about writing tricks, politics, religion, philosophy, music or whatever was the issue of the moment are priceless and stand out. Another great emotion was the publication of the first BWC Anthology in 2016, a project in which very few of us had really believed at the beginning but that finally went through thanks to the tenaciousness of some members.
What do you get out of the group?
Inspiration, challenging thoughts and ideas, good vibes & good company.