International writing competitions 2018 – part 2

If you have been sharpening your pencils and hitting that keyboard with fresh stories, then you’ll want to take a look at our selection of short stories and competition for the second half of 2018. Do check individual website for details. We will be updating this page.

Best of luck!

1/2 K Prize
Theme: Open
Word limit: 500 words
Entry fee: $20
Prize: 1st $1000
Deadline: August 15, 2018
Publication: Indiana Review

The End Of Our World short story contest
Theme: Destruction of environment (based on facts)
Word limit: 1,500 – 5,000 words
Entry fee: $25 per submission ($15 NCWN members)
Prize: 1st $1000, 2nd $300, 3rd $100
Deadline: August 31, 2018
Publication: Magazine

Manchester Fiction Prize
Theme: Open
Word limit: 2,500 words
Entry fee: £17.50
Prize: 1st prize £10,000
Deadline: September 14, 2018

Writers of the Future Contest
Theme: Sci-fi, fantasy, dark fantasy
Word limit: 17,000 words
Entry fee: n/a
Prize: 1st $1,500, 2nd $750, 3rd $500
Deadline: September 30, 2018

All-story short fiction competition
Theme: Open
Word limit: 5,000 words
Entry fee: U$30
Prize: 1st U$1,000, 2nd 500, 3rd $250
Deadline: October 1, 2018
Publication: Break Water Publication

Bath Flash Fiction Award
Theme: Open
Word limit: 300 words
Entry fee: £7.5 for one entry, £12 for two and £18 for three entries
Prize: 1st prize £1,000, 2nd prize £300, 3rd prize £100.
Deadline: October 14, 2018
Publication: Anthology

Troubadour International Poetry Prize
Theme: Open
Word limit: poems must be max 45 lines long
Entry fee: £6/€7/$7.50 for 1st poem (£4/€5/$5 for subsequent entries)
Prize: 1st prize £2,000, 2nd prize £1,000, 3rd prize a week long creative course.
Deadline: October 22, 2018

Fish Short Story Prize
Theme: Open
Word limit: 5,000 words
Entry fee: €20, (€10 subsequent entries)
Prize: 1st €5000 & 5 days short story workshop, 2nd €300 & a week at Anam Cara Writers’ Retreat, 3rd €300, honourable mentions €200.
Deadline: November 30, 2018
Publication: Fish Anthology

Aeon Award
Theme: fantasy, science fiction, horror or anything in-between or unclassifiable
Word limit: Max. 10,000 words
Entry fee: €8.5
Prize: 1st €1000, 2nd €200, 3rd €100
Deadline: November 30, 2018
Publication: Albedo One

Ink Tears Short Story Competition
Theme: Open
Word limit: 1,000 – 3,500 words
Entry fee: £7.50
Prize: 1st £1000, 2nd £100
Deadline: November 30, 2018
Publication: InkTears Readership

Peter Porter Poetry Prize
Theme: Open
Word limit: poems must be max 75 lines long
Entry fee: U$15 for subscribers/students, $25 for non-subscribers
Prize: 1st U$5,000, 2nd AU$2,000, thee other shortlisted $500
Deadline: December 3, 2018
Publication: InkTears Readership

The Breakwater Fiction Contest
Theme: Open
Word limit: 1,000 – 5,000 words
Entry fee: U$10
Prize: 1st U$1,000
Deadline: December 15, 2018
Publication: Break Water Publication

Magic Oxygen Literary Prize
Theme: Open
Word limit: 4,000 words for short stories and up to 50 lines for poems
Entry fee: £5
Prize: 1st prize £1,000, 2nd prize £300, 3rd prize £100
Deadline: December 31, 2018
Publication: Anthology

The Moth Poetry Prize
Theme: Open
Word limit: n/a
Entry fee: €12 per poem
Prize: 1st prize €10,000, 3 x €1,000
Deadline: December 31, 2018

Meet the Circle: Océan Smets

foto africa girafaThe members of the Brussels Writers’ Circle are a varied bunch. Prose writers, poets, playwrights, memoirists, screenwriters and bringers of silly bits and pieces, we sweep in from all different occupations and locations twice a week to share our scrawlings with one another.

In ‘Meet the Circle’, we introduce you to some of our members, hopefully providing an insight into who we are, what we do, and what we think about butterflies. Well, maybe not that last bit. This week we will hear from Océan Smets, a poet turned science fiction writer with a special interest in language and human psychology.

Océan is a published author of poems, flash fiction and nonfiction. He’s the winner of 2015 Spanish 1st International poetry competition Writing Verses, the 2014 winner of  the First Literary Contest of Short Tales for Train Travelers by Thalys Kemkem, Argentina.

When did you join the group?
In February 2014, when I moved to Brussels. I read an invitation to join the Brussels Writers Circle in an English Magazine for expats. I directly emailed to enroll. Destiny?

What were your first impressions of the group?
What first struck me was the variety of styles among us, together with the ability to fold into other writers’ thoughts and be their editors. Our group , from all over the world, has been constantly renewing with pens. It’s so enriching!

What have you published so far?
Articles (non fiction), poems and short stories. I can’t stop writing “magic realism”. I am sort of hooked. Yet I would like to jump from there into something more consistent, diametrically opposite.

What are you currently working on?
I am currently working on my second social sci-fi novel. I dream it. I can see its inhabitants in my nocturnal visions. I really can feel the touch of my characters at night. They are my imaginary friends. So I am never alone.

My Post (1)Who are your biggest literary influences?
Bashö’s haiku, Paul Éluard, Isabel Allende, impacting films like Clockwork Orange, and especially all the gender literature from my studies.

How have they influenced you?
My writing has been influenced by all these factors, so we can say I am a cross between a human and a beast. Well, rather a magical mutant.

Do you have a memorable moment from the BWC that you could share?
Yes. The day Antoinette gave me the title for my novel in three seconds.
“What is your novel about?”
“A little wheel inserted in your body that sends you love and you have orgasms”.
“It’s Wheelgasm!”

So easy!

What do you get out of the group?
I mainly get a shower both of reality and humbleness whenever I read for it. As a writer, I tend to live in my magical world. English isn’t my mother language so I really need editors. Reading for the group also makes me write more. There is always somebody who likes my stories so I am also encouraged. I can see my lines published in an anthology. This gives my life meaning.